Aprender a comer en cubano was literally the name of a daily, national public radio program sponsored in the 1940s by the first elected government of the Auténtico Party. Its leaders claimed to represent the “authentic” program of Cuba’s 1895 War for Independence. The least fulfilled goal of this war and the Republic it founded was the establishment of a prosperous small farmers’ economy.
The Cuban government printed postcards like this one as well as special stationery for Cuban volunteer teachers who participated in the 1961 Literacy Campaign. As former maestro voluntario Ernesto Chávez explained to his students, citizens were supposed to sign off their letters and notes, much as adherents of the state still do, “revolucionariamente” [revolutionarily yours] […]
This list of songs come from a teacher-training manual that Ernesto Chávez carried like a socialist Bible when he served for four years as a maestro voluntario [volunteer teacher] in the mountains of El Escambray and Oriente province (1960-1964).
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Some of the strongest memories we conserve are embedded in the fragile tokens of a striking experience we once felt deeply but can no longer fully describe. Ernesto Chávez conserved these ribbons for decades. Raggedy from pinning it to the front of his teacher’s olive-green uniform nearly every day in 1960, one ribbon reads Patria o Muerte [Fatherland or Death], Fidel Castro’s historic revision of the 1959 Revolution’s original mantra of Patria y Libertad [Fatherland and Freedom].
This card, commonly called a carnet in Cuba, belonged to the mother of Ernesto Chávez. She joined her local Comité de Defensa de la Revolución [CDR] soon after PSP strategists founded a block-to-block network of these organizations nationwide in the fall of 1960. At the time, the creation of CDRs—whose members’ task was to snoop […]
Read more "ID Card of the Committee for the Defense of the Revolution"
Since the 1960s, many scholars have noted how Cuba’s virtually all-male leadership burdened women with the most work “for the Revolution” yet they enjoyed little power over policies not immediately relevant to their gender. Women were expected to fulfill domestic chores, stand in line for rations, work outside the home, volunteer for no pay and, […]
Directed for decades by Vilma Espín, the FMC was the “mass organization” in which all women were supposed to participate. The term itself connotes Cuba’s adoption of norms from the Communist bloc.
The University of Florida remains grateful to Ernesto Chávez for the donation of his personal archive, papers, books, and memories of life in early revolutionary Cuba for researchers and future generations. A memoirist and scholar of peasant and Canary Islanders’ folk traditions, Ernesto Chávez lives in Cuba. A guide to its contents can be found […]
For this edition, we invite you to see a gem from the BBC Archive, which transports us back to the struggles, questions, and drama of Cuba’s early years of revolution.
Cover Image: Revolutionaries listen to Fidel Castro’s weekly televised show, March 1960. Andrew St. George Collection, University of Florida.
On April 9, 1948, the assassination of Liberal Party presidential candidate and congressman Jorge Eliécer Gaitán provoked an incendiary riot in downtown Bogotá. Military and police repression combined with violent protests left over three thousand dead. Working as a photojournalist who had planned to cover an inter-American diplomatic congress, Eduardo “Guayo” Hernández witnessed and fearlessly documented these tragic events.
Unusual for its large size (5”x7”) and the rarity of its subject, this tin type was made in Trinidad de Cuba in the early 1870s. I acquired it from a man I caught selling national antiquities to tourists. When I stopped the sale by explaining to his buyers why such an image should be treasured by Cubans rather than purchased like a tourist trinket for display in France, he quickly demanded that I put my money where my mouth was.
I grew up with this 1898 portrait of Mercedes Sotolongo Suárez del Villar, my then fifteen-year-old great-grandmother-to-be, better known as “Cuca.” Like virtually anyone who saw it, I was struck by the oddity of her dress: why was she wearing the clothing of a Japanese geisha? Only later, as a doctoral student working in archives, […]
This photograph shows four devoted Kindergarten teachers with their charges on an excursion to a park in Cienfuegos in 1941. The teachers include my great aunt Olga Sotolongo (second and tallest adult from left) and her cousin Silvia “Chacha” Suárez del Villar (first adult on the right). Like many women of the middle classes who […]
Herbert Matthews’ February 1957 blockbuster report in the New York Times of the survival of Fidel Castro and 18 members of an 82-man invasion force inspired young journalist Andrew St. George to go to the Sierra Maestra himself. With Coronet magazine’s funding and CBS’s heavy recording equipment, St. George made contact with clandestine activists of […]
Read more "First Tape-Recorded Interview of Fidel Castro in Sierra Maestra, April 1957"
Only at the insistence of the camp medic, Ernesto “Che” Guevara, did Fidel Castro finally concede a taped interview to St. George. He quickly convinced Fidel Castro of the value of addressing the English-speaking world directly. Castro subsequently wrote “Why We Fight”, the only single-authored manifesto of his entire time in the Sierra Maestra (December […]
Halfway through St. George’s first trip to the Sierra Maestra, Che explained he had once made a living as a street photographer in Mexico after fleeing Guatemala and a job in the agrarian reform division after a CIA coup toppled Guatemala’s elected government. St. George then gifted Che Guevara with one of his three cameras and some film. Che expressed sheer delight with the gift. He also took several well-crafted pictures of St. George in the Sierra that he later used to prove his own presence there. On his second trip in the fall of 1957, St. George also began to bring back rolls shot by Che of daily life in the Sierra, the surrender of enemy soldiers, and the army officers who switched sides from Batista to Fidel during the war. St. George also provided the 26th of July Movement’s propaganda wing with many pictures of his own.
In 1958, a large group of 26th of July Movement activists protested the presence of a Cuban delegation appointed by dictator Fulgencio Batista at a voting session of the United Nations in New York. I first found a photo of the whole group at the University of Florida and published it in Heroes, Martyrs, and […]
Read more "St. George and Anti-Batista Activists at the United Nations"
Although Kodak produced its first color film in the early 1940s, most photographers only reluctantly used it, in part because mid-twentieth-century readers were accustomed to magazines with articles whose texts did not “compete” with accompanying photos unless they were explicitly designed as “picture stories.” Many editors never fully trusted St. George because they were predisposed to favor native English speakers to write their articles. St. George nonetheless produced full-color covers for Life magazine’s first January 1959 coverage of the 26th of July Movement’s takeover of the state. Images like these represent rare, never-before-published shots in the color of New Year’s Day, 1959. Here, Fidel Castro meets with longtime underground activist and fellow lawyer Armando Hart, backed by anti-communist and former Orthodox Party member Luis Orlando “Pupo” Rodríguez, Fidel’s personal bodyguard, holding a semi-automatic weapon. A second portrait shows Fidel and soldiers riding on a jeep at the crack of dawn, just before jumping into an eight-day “caravan of triumph” from Santiago to Havana.
One of the characteristics of St. George’s photography is that it often resisted the mythification of revolutionary reality. Here, his lens reveals dusty, exhausted Rebel Army soldiers marching through a town in Oriente province on New Year’s Day, 1959. St. George also regularly photographed Judge Manuel Urrutia, hand-picked by Fidel Castro to be President of the Republic, in the first weeks of 1959 when few other reporters seemed interested. His trust in Urrutia lasted and deepened, especially when Urrutia’s efforts to echo Fidel Castro’s own disavowal of Communism got him in trouble. In June 1959, Urrutia’s assertion on national television that the government was “anti-communist” elicited rebuke from Fidel Castro who attacked him in turn as morally weak and incapable of rule. St. George subsequently hand-delivered Urrutia’s letter of resignation to Fidel. Urrutía’s marginalization contributed to Fidel’s power and ultimately, his ability to rely on Communists, not the members of his own 26th of July movement, to rule unconditionally.
Read more "Exhausted Soldiers and a Short-Term Anti-Communist President"
In the first three years after the 1959 Cuban Revolution, no other photographer was as good at capturing the drama, charisma and sheer physical exertion typical of any of Fidel Castro’s hours-long speeches. In these frames, St. George relied on rapid-dire photographic methods to document Fidel in action. They evince a cinematographic quality.
Dominican dictator Rafael Trujillo’s favored son-in-law, Porfirio Rubirosa, somehow managed to turn up at a Presidential Palace reception held for Fidel Castro, who had just completed his 8-day caravan-of-triumph from Santiago to Havana. Because Andrew St. George had written an exposé on Trujillo’s 1956 kidnapping and assassination of Jesús Galíndez, a Basque writer and legal […]
Read more "Rubirosa, the Original “Latin Lover” and Fidel Castro, January 1959"
St. George took these pictures in either late 1959 or early 1960 as Ernesto “Che” Guevara addressed a live radio audience at the national headquarters of Cuba’s largest labor union, the Confederación de Trabajadores Cubanos [CTC]. By then, the CTC had refused to accept any Communist Party participation in their leadership on multiple occasions, in […]
A pro-business newspaper whose 128 years of publication in Cuba gave it a certain cache, Diario de la Marina lost its freedom from government interference in its content and publication in May 1960. Then, Diario de la Marina and other papers, including its ideological rival Prensa Libre, were intervened, and shuttered by Communist Party-organized militias. […]
Read more "José Ignacio Rivero, last director of Diaro de la Marina"
Perhaps naïvely, most Cubans believed the revolutionary government’s story that the Soviet Vice Premier Anastas Mikoyan had come to Cuba in February 1960 in order to promote an exhibit of Soviet Culture in Havana. His real motives were to assist Fidel Castro in deepening Cuba’s ties to the Soviet bloc, particularly in areas of trade, […]
Read more "Fidel Castro and Armando Hart Toast Anastas Mikoyan"
Unlike the previous year when Cuba’s nationalist (but still pro-capitalist) policies generated an economic boom and mass support for the state, the radicalizing policies of the summer of 1960 produced palpable tensions and outright opposition to Fidel Castro’s version of revolution. Held on July 26, 1960, this rally to commemorate the seventieth anniversary of Fidel’s failed Assault on the Moncada Barracks took on an oddly forced tone. Held outside the city of Santiago in a remote field in eastern Cuba, the rally entailed mobilizing hundreds of thousands of people to the site, including an unprecedented number of invited foreign Leftists from Latin America and the United States. Compared to its predecessor in July 1959, which relied on civic volunteers to coordinate the visit of 500,000 formerly landless peasants to Havana and their stays in private homes, the 1960 rally lacked the euphoria and spontaneity of citizen-led organization.
Read more "Government Rally outside of Santiago, Oriente in 1960"
For ten days in September 1960, Fidel Castro led a large delegation of top Cuban leaders to New York City where he was slated to address the General Assembly of the United Nations. Coming on the heels of an unexpected, blanket nationalization of all foreign-owned businesses that August, the trip catalyzed a frenzy of support. […]
Here Vilma Espín, Ernesto “Che” Guevara, Che’s wife Aleida March, Raúl Castro, Alfredo Guevara and Guillermo Cabrera Infante are seen attending a performance of the famed soprano Elizabeth Schwartzkopf during Fidel Castro’s good will tour of the northeastern United States in April 1959. Ironically, Schwarzkopf had been a member of the Nazi Party who had […]
In early 1961, St. George photographed these young Cuban exiles who had recently been recruited for “Brigade 2506”, an armed force of about 1,500 men whom the CIA trained and financed to invade Cuba and ultimately, they hoped, to topple the government. As part of the plan, the CIA secretly developed what was supposed to be a transitional, pro-United States government under the name Movimiento de Recuperación Revolucionaria [MRR], led by Manuel Artime. Today both the CIA’s plot and its abysmal failure as a military operation are better known by the location of the invaders’ landing site at the “Bay of Pigs”. As these images bely, MRR members ranged dramatically in age and experience. St. George interviewed some of them at a hotel that served as a “barracks” in South Miami.
Over the decade of the 1960s, St. George was repeatedly baffled by how little attention the national media paid to the open warfare that thousands of Miami Cubans—with and (later) without CIA funding—were conducting against Communist-ruled Cuba. This funeral procession likely took place in 1960 when the body of a Cuban man, charged with working […]
One of many photographs St. George made of the same event, the image appears innocuous: its subjects—almost all male except for the young woman at its center—seem to be holding a social gathering. Yet the group was engaged in high-intensity training and political discussions at a secret facility somewhere in South Florida. Meticulously, St. George […]
Read more "Exile commando force at secret training facility"
By the late 1960s, St. George had lost all hope that any armed exile group might succeed in toppling Cuba’s communist regime, particularly because he knew that such groups’ reliance on the United States, and often CIA funding, undermined their credibility—especially in Cuba. To his shock, one of the giants of the terror network on which Cuba’s former dictator Fulgencio Batista had relied began operating openly in Miami in 1965. Headed by ex-Senator, Spanish Republican exile, and Batista loyalist Rolando Masferrer, the militia took the same name it had once had in Cuba: Los Tigres. Famous for the atrocities they committed against civilians on behalf of Batista, Miami’s Tigres were mostly U.S. citizens. Their middle age and lackluster physical condition made them no less dangerous.
Read more "Rolando Masferrer’s Private Army Trains in Miami"
In this contact sheet, St. George catches Fidel Castro’s theatrical style of speaking on Ante la Prensa, a Cuban version of the United States’ popular Meet the Press. One difference obvious to any viewer, however, was that invited speakers on the American show offered comparatively short and courteous responses to on-stage reporters, whereas Fidel Castro’s answers often lasted two to three hours (on what was formerly a 45-minute telecast). On these shows, Fidel regularly justified radical policy moves, denounced any critics, and demanded the resignation of officials he considered too democratic or independently minded—including many members of his own cabinet who had given their lives to the fight against Batista. In 1959, journalist Herbert Matthews called Fidel’s constant presence on TV and radio “government by television”.
An earlier edition of Gems of the Archive featured this puzzle, manufactured and purchased by Andrew St. George in Cuba. Here we see the same puzzle in the context that explains why St. George found it so interesting. Surrounded by books that normalized hero worship in the pivotal year of 1960, it was one of […]
Along with thousands of images of Cuba and Latin America, the Andrew St. George Collection also includes many intimate portraits of the photojournalist’s family from the early years of the Revolution when, together, they witnessed Cuba’s tumultuous transformation. No words can express the gratitude that all of us who study and love Cuba feel toward the donors of the Andrew St. George Collection. His sons and their families have entrusted priceless treasures of knowledge to the University of Florida. Thank you.
Known in the US South as “topsy turvy” dolls because of their two-in-one design, dolls like these from Cuba differ fundamentally from ones I have seen at local Florida antique stores.
When I was a little girl growing up in Kansas, I often asked my mother to explain why she had left Cuba. Rather than speak in adult abstractions that flatly cited black-and-white reasons such as “communism,” my mother often referenced specific experiences she had before she left Cuba in 1964. They revealed the Castro regime’s […]
After the Cuban state formally dropped its promotion of atheism in favor of official secularity in 1991, the Papacy successfully negotiated the right of the Catholic Church to edit and publish theological newsletters like this one, Vida Cristiana [Christian Life]. One goal was to recover the discursive public space that had long defined personal values […]
A mixed media watercolor monoprint, Isla Herida is the unique creation of Florencio Lennox Campello, born in Santiago de Cuba in 1956, as part of a printing assignment while the renowned artist was still a young student at the University of Washington School of Art.
Manufactured by a privately owned business in Cuba in 1960, this puzzle-portrait of Comandante Ernesto “Che” Guevara speaks to the market for hero-making propaganda and revolutionary memorabilia that citizens’ trust in the Revolution then represented.
One of the nine muses in the religion of the ancient Greeks, Terpsichore is primarily known as the patron of dance.
For much of its first three decades in power, the Cuban government spent an astonishing amount of money, time, and effort courting the white American and Western European “Left”, particularly through its Soviet-modelled Instituto Cubano de Amistad con los Pueblos [Cuban Institute of Friendship with the People, ICAP], originally founded in the early 1940s by Stalinist leaders of the Partido Socialista Popular, a label Cuban Communists adopted until 1965.
Since the 1920s, Cubans have celebrated as a national holiday the birthday of José Martí, the nationalist writer and principal civilian leader of Cuba’s 1895 War for Independence from Spain.
In 1963, my father, Tomás H. Guerra, decided to leave Cuba for exile after the government passed communist reforms that eliminated his peasant family’s right to grow and sell crops independently of the state.
Before Fidel Castro’s government took over the press in the early summer of 1960, Bohemia magazine had a vast circulation among subscribers across the island and large swaths of Latin America.
In 1968, Fidel Castro unexpectedly announced the confiscation of all remaining small businesses on the island without compensation to their owners.
Probably written in 1978 when the Carter administration negotiated with the Castro regime to allow visits by Cuban exiles and US citizens for the first time, this fascinating report paints a portrait not unlike that of Cuba today.
Dated 1974, this letter from Cuban sugar baron Alfonso Fanjul to his cousin and fellow magnate George Braga reveals the tight connection between US foreign policy toward Cuba and the power of the United States’ wealthiest elite.
Read more "Sugar magnate (privately) endorses US-Cuba relations"
Throughout 1959, the revolutionary government headed by Fidel Castro and a cabinet of top revolutionaries who had fought the urban war against Batista was enormously popular.
This glass is a product of the massive tide of euphoria that engulfed popular culture and consciousness when Fidel Castro’s caravan triumphantly entered Havana on January 8, 1959, a week after the dictator Batista had fled.
Owner and director of the newspaper Prensa Libre, journalist Sergio Carbó completed this book, the first record of the atrocities perpetrated by President Gerardo Machado’s government against citizens, in late August 1933. It was published only two weeks after the dictator, his family and many military and police officials fled Cuba for sanctuary in Miami.
Read more "Machado: Crímenes y horrores de un regimen by Sergio Carbó (1933):"
In the wake of the Soviet Union’s collapse, many of the most far-fetched examples of Fidel Castro’s “policy-making-by-whim” became both the stuff of legend and taboo.
Read more "Medal for building “tunnels of love” or war? Fidel’s autocracy in the 1980s"
Most of us know that bubble gum companies once included collectible baseball cards in their packages in order to encourage sales. But did you know that Cuban cigarette manufacturers did something similar over a century ago?
Taken by Alberto Díaz, better known as “Korda”, and bearing the stamp of his studio, this photograph shows a 36-year-old Fidel Castro addressing adoring crowds in Moscow on his April 1963 tour of the Soviet Union. Although conspicuously absent from the stage that day,
Although most of us would probably not qualify these objects as “archival”, a historian sees in them the opportunity to document the struggles that Cubans face in an economy defined by austerity, scarcity and intense creativity.
In 2016, Historian of the City of Baracoa, Dr. Alejandro Hartmann, took me on a whirlwind tour of chocolate farmers and “manufacturers” of artisanal chocolates in the mountains near the city.
Read more "Recycled toothpaste tubes and pull-off tops (2016)"
This pamphlet dates from the winter of 1959 when Nancy Macaulay first visited her husband Neill Macaulay in Cuba.
This original copy of the play “Peasant Soul” (Alma Guajira) was published by the Cuban cigar company Gener in 1927.
In Cuba, like the Soviet Union, the practice of distributing small lapel pins as tokens of the state’s political appreciation became and remained fundamental.